G. K. Chesterton

Fancies Versus Fads

Buch

Contents Include: The Romance of Rhyme Hamlet and the Psych-Analyst The Meaning of Mock Turkey Shakespeare and the Legal Lady On Being an Old Bean The Fear of the Film Wings and the Housemaid The Slavery of Free Verse Prohibition and the Press The Mercy of Mr.Arnold Bennett A Defence of Dramatic Unities The Boredom of Butterflies The Terror of a Toy False Theory and the Theatre The Secret Society of Mankind The Sentimentalism of Divorce Street Cries and Stretching the Law The Revolt of the Spoilt Child The Innocence of the Criminal The Prudery of the Feminists How mad Laws are Made The Pagoda of Success The Myth of the Mayflower Much Too Mode… Mehr

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Produktdetails

ISBN: 978-1-4067-9350-5
EAN: 9781406793505
Produktnummer: 2733454
Verlag: Pomona Press
Sprache: Englisch
Erscheinungsjahr: 2006
Seitenangabe: 252 S.
Masse: H21.6 cm x B14.0 cm x D1.4 cm 341 g
Abbildungen: Paperback
Gewicht: 341

Über den Autor

Gilbert Keith Chesterton, (29 May 1874 - 14 June 1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the prince of paradox.Time magazine has observed of his writing style: Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out. Chesterton is well known for his fictional priest-detective Father Brown,[5] and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.[4][6] Chesterton routinely referred to himself as an orthodox Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his friendly enemy, said of him, He was a man of colossal genius.[4] Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin. Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton.[8][9] He was baptised at the age of one month into the Church of England,[10] though his family themselves were irregularly practising Unitarians.[11]According to his autobiography, as a young man Chesterton became fascinated with the occultand, along with his brother Cecil, experimented with Ouija boards. Chesterton was educated at St Paul's School, then attended the Slade School of Art to become an illustrator. The Slade is a department of University College London, where Chesterton also took classes in literature, but did not complete a degree in either subject.In September 1895 Chesterton began working for the London publisher Redway, where he remained for just over a year.[14] In October 1896 he moved to the publishing house T. Fisher Unwin,[14] where he remained until 1902. During this period he also undertook his first journalistic work, as a freelance art and literary critic. In 1902 the Daily News gave him a weekly opinion column, followed in 1905 by a weekly column in The Illustrated London News, for which he continued to write for the next thirty years.