Immanuel Kant
                        
                                        
                        
    
    
            
            
            
                                                                
    
                    
                
                    
    
    
                
    
                    
            
                
            
            
                                                    
    
                    
                
                    
    
    
                
    
                    
            
                
            
            
                                                    
    
                    
                
                    
    
    
                
    
                    
            
                
            
            
                                                    
    
                    
                
                    
    
    
                
    
                    
            
                
            
            
                                                    
    
                    
                
                    
    
    
                
    
                    
            
                
            
            
                                    
            
        
                                                
                Critique of Judgment
Buch
            In the Critique of Judgement, Kant offers a penetrating analysis of our experience of the beautiful and the sublime. He discusses the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits ofrepresentation, and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the degree in which nature has a purpose, with respect to the highest interests of reason and enlightenment.The work profoundly influenced the artists, writers, and philosophers of the classical and romantic period, including Hegel, Sche…
        
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                                    Beschreibung
                        In the Critique of Judgement, Kant offers a penetrating analysis of our experience of the beautiful and the sublime. He discusses the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits ofrepresentation, and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the degree in which nature has a purpose, with respect to the highest interests of reason and enlightenment.The work profoundly influenced the artists, writers, and philosophers of the classical and romantic period, including Hegel, Schelling, Schopenhauer, and Nietzsche. In addition, it has remained a landmark work in fields such as phenomenology, hermeneutics, the Frankfurt School, analyticalaesthetics, and contemporary critical theory. Today it remains an essential work of philosophy, and required reading for all with an interest in aesthetics.
                    
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            Produktdetails
- ISBN: 978-1-60206-542-0
- EAN: 9781602065420
- Produktnummer: 3130905
- Verlag: Cosimo Classics
- Sprache: Englisch
- Erscheinungsjahr: 2007
- Seitenangabe: 284 S.
- Masse: H21.6 cm x B14.0 cm x D1.6 cm 383 g
- Abbildungen: Paperback
- Gewicht: 383
Über den Autor
            Immanuel Kant ( 22 April 1724 - 12 February 1804) was an influential German philosopher[23] in the Age of Enlightenment. In his doctrine of transcendental idealism, he argued that space, time, and causation are mere sensibilities; things-in-themselves exist, but their nature is unknowable.[24][25] In his view, the mind shapes and structures experience, with all human experience sharing certain structural features. In one of his major works, the Critique of Pure Reason (1781; second edition 1787),[26] he drew a parallel to the Copernican revolution in his proposition that worldly objects can be intuited a priori ('beforehand'), and that intuition is therefore independent from objective reality.[b]Kant believed that reason is also the source of morality, and that aesthetics arise from a faculty of disinterested judgment. Kant's views continue to have a major influence on contemporary philosophy, especially the fields of epistemology, ethics, political theory, and post-modern aesthetics. He attempted to explain the relationship between reason and human experience and to move beyond the failures of traditional philosophy and metaphysics. He wanted to put an end to what he saw as an era of futile and speculative theories of human experience, while resisting the skepticism of thinkers such as David Hume. He regarded himself as showing the way past the impasse between rationalists and empiricists,[28] and is widely held to have synthesized both traditions in his thought.[29]Kant was an exponent of the idea that perpetual peace could be secured through universal democracy and international cooperation. He believed that this would be the eventual outcome of universal history, although it is not rationally planned.[30] The nature of Kant's religious ideas continues to be the subject of philosophical dispute, with viewpoints ranging from the impression that he was an initial advocate of atheism who at some point developed an ontological argument for God, to more critical treatments epitomized by Schopenhauer, who criticized the imperative form of Kantian ethics as theological morals and the Mosaic Decalogue in disguise,[31] and Nietzsche, who claimed that Kant had theologian blood[32] and was merely a sophisticated apologist for traditional Christian faith
        
                                        
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